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Renowned Artist DEREK HESS Releases First Trailer for the Long-Awaited Documentary “FORCED PERSPECTIVE”, the Life of Artist DEREK HESS

Derek Hess - Forced Perspective

“Forced Perspective” is a documentary film showcasing the life of artist DEREK HESS directed by Nick Cavalier. The film illuminates Derek’s struggle with alcoholism, bipolar disorder, depression and watches him triumph over his personal demons while showing how these experiences help shape his artwork. From Derek’s early flyer work and celebrated sketches to his elaborate mixed media pieces, this film showcases the evolution of Derek’s art and the emotional ripples it leaves behind in the world.

 

“Forced Perspective” is now in post-production and is expected to be released in 2015.

 

Take a first look at “Forced Perspective”here:https://vimeo.com/93108390

 

Check out some stills from the “Forced Perspective” here, as well.

 

You can follow the film:

http://derekhess.com

http://forcedperspectivefilm.com/

 

Donate to “Forced Perspective” here: http://forcedperspectivefilm.com/contribute/

MORE INFORMATION ON DEREK HESS:

Derek Hess’s work has been recognized in both the music and art world for over 20 years. Hess began creating promo flyers for shows in Cleveland, that soon gained the attention of a multitude of bands as well as the Grammy Museum, The Rock & Roll Hall of Fame and the Louvre in Paris where he is part of the permanent collections. In addition to countless cd covers and gallery shows all over the world, he has been featured on TLC, MTV, Fuse, VH1, Alternative Press, Newsweek and Juxtapoz to name a few.

 

Renowned Cleveland, OH-Based Artist DEREK HESS Releases his First Limited Edition Book, “HE AINT NO VARGAS”

Signed and Numbered Limited Edition of 500 Hardbound Copies

Forward by Playboy Executive Editor Jason Buhrmester

Derek Hess book cover

He Ain’t No Vargas is a limited edition book containing an extensive collection of grease pencil nudes by Derek Hess that utilize Playboy magazine covers as canvases. The pieces were created using 1960s and 1970s era Playboys— the very same issues Hess first discovered as a fourth grader. The nostalgia brought back by the taboo material of Hess’ childhood made the project even more fun for the artist. Drawing loose and fast, Hess was able to capture the vibrant feeling of the figure.

The book has drawings spanning from the beginning of his experimentation with Playboys back in 2010 all the way into his most recent works done in August, 2013. Vargas refers to the artist Alberto Vargas, who was responsible for the pin-up nudes in Playboy for decades, and the book title is a tongue-in-cheek shot at Hess and his ability to draw. Hugh Hefner gave his personal blessing, perhaps giving the book the highest praise one can receive from Playboy magazine.

 

Purchase your copy of He Ain’t No Vargas here http://www.indiemerch.com/strhesspress

 

Watch a special book video trailer via Vimeo – https://vimeo.com/72745488

Derek Hess’s work has been recognized in both the music and art world for over 20 years. Hess began creating promo flyers for shows in Cleveland, OH. These flyers soon gained the attention of a multitude of bands as well as the GRAMMY Museum, The Rock & Roll Hall of Fame and the Louvre in Paris which he is part of their permanent collections. In addition to countless cd covers and gallery shows all over the world, he has been featured on TLC, MTV, Fuse, VH1, Alternative Press, Newsweek and Juxtapoz to name a few.

 

 

ECO: New Works by Steve Ehret at Translations Art Gallery

ECO Exhibit

To explain how excited I was for the debut of ECO the new showing at Translations art gallery in Canton, someone had to point out that Steve Ehret’s art had been hung from the ceiling across the gallery, rather than plastered to the walls before it registered.

Indeed, from the first steps taken into the gallery, it was apparent that this was no ordinary show. Curator Craig Joseph explained that ECO has been in the works for about a year and that he and Steve had been in contact hammering out the details to make it a special event.

Though Steve may be best known for his colorful creatures that range from friendly and furry to fierce and frightening, this collection is almost completely devoid of any living beings at all. Instead, the focus is on where his creatures live, breath, eat, work, play, and from the looks of it, where they collect clouds.

Sure, the keen eye will detect something slithering from a cave here or peeking its bulbous eyes above swampy waters there, but the main focus is pear shaped dwellings, trunks jutting from the ground and expelling mysterious smoke, ladders leading into the abyss, exotic plant-life, observation towers thrusting upwards, and…the skies. Breathtaking and magical while simultaneously welcoming and foreboding, Steve Ehret’s skylines are a mixture of emotions that seem to attract the most attention from the growing crowd. ECO: new works by Steve Ehret is showing at Translations all month, and I strongly suggest you go in with an empty imagination because ECO is an enormous buffet of creativity.

ECO: New Works by Steve Ehret at Translations Art Gallery ECO: New Works by Steve Ehret at Translations Art Gallery ECO: New Works by Steve Ehret at Translations Art Gallery ECO: New Works by Steve Ehret at Translations Art Gallery

John G

Doug recently spoke with local artist John G, who does a lot of the covers for “Scene” magazine and has a new Cleveland-based comic book called “The Lake Erie Monster” out now!

Doug Esper: John, before I start shooting questions at you, I want you to know you need to raise the ad prices in The Lake Erie Monster. I stopped in a comic shop out in Sheffield and the guy working said he already had several people stop in after seeing their ad.

John G: (Chuckles) Well, we set out to break even with this issue. Jake Kelly and I sat down and mapped out the first year and a half to two years of issues and hopefully by the end of the first year we can be financially stable. We don’t expect to be making a living from this comic or other comics, but, who knows, maybe we’ll fucking sell the rights to it and make a movie.

 

Doug: In The Lake Erie Monster we see a 70’s era Cleveland. How did you choose the time period?

John G: Well, it was mostly Jake (Kelly), actually. The idea came from 10 fake movie posters he did for an art show he and I did. The posters were homages or tributes to the schlocky horror movies from that time period. Cleveland had hit its peak in the 60’s and is definitely on a downward spiral during the events of these stories. Economically, environmentally, and culturally it’s an interesting time in Cleveland to set any story, but it’s perfect for a horror story that is a borderline parable about pollution and big business.

 

Doug: How did you and Jake Kelly hook-up and decide to do this project?

John G: I’ve known Jake since high school, so over the last 16 or 17 years we’ve been on this weird parallel career trajectory that came together a couple years ago. We do a lot of the same things like posters for shows, fliers, comics of our own, or oddly enough, he does the murals for Melt and I do the monthly posters for them.

 

Doug: Recently you and your artwork appeared on some posters for Invacare. How did that come about?

John G: I was at a party and a woman asked me about my wheelchair. It was an old, beat up A4 and I was pretty disparaging. It turns out the woman worked at Invacare. Through her, I met a guy who was in development over at Top End, which is Invacare’s line geared more toward athletic, light chairs. He was looking for a different way to market the Top End brand. He asked me to come up with a pamphlet of art to go along with this medical jargon he had come up with called, I think, Rollability. Through that, they used one of my drawings for a poster. Then, they started a campaign where they photographed people in their wheelchairs that are quote/unquote successful people. They asked me to do one and, I did it. That’s how that all came about. I hope I can do more work for them in the future.

 

Doug: I can say that you are the first artist I have a poster of on my wall that isn’t a poster of their art. So, did you guys design all the ads as well in The Lake Erie Monster?

John G: Yeah, we tried to give the ads a look that represented the ads in comics at the same time in the 70’s.

 

Doug: What, the Sea Monkeys ad wasn’t available? I remember those ads in every comic I read as a kid.

John G: Actually, you can look for a Sea-monkeys-type ad in issue two. They will definitely make an appearance. For the next issue we’re going to switch off some of the ads we each worked on. I’m excited to dig into a lot of those old ads and to come up with ads of our own.

 

Doug: Who are some of the artists that influenced you and helped develop your style?

John G: I’m way into comics. Especially those coming out during the time that Jake and I are trying to appropriate. I love classic horror comics. My favorites were, Creepy and Eerie. A lot of people that worked on them are influences.

 

Doug: Like Bernie Wrightson?

John G: Yeah, like Bernie Wrightson, and Richard Corben, who is one of my all-time favorites. I don’t think my work is as illustrative as Wrightson, but the influence can be felt in my work. Recently, (Mike) Mignola with his Hellboy stuff is some of my favorite stuff. There is a lot of influence in my stuff from Jake and other local artists as well. Not as much in how things look, but in concepts and ideas. I feel like I’m always in this game of one-upsmanship with my friends. When I see their work, I’ll think “I can blow that out of the water” or “man, I wish I would’ve thought of that”.

 

Doug: What’s your favorite thing about Jake’s art?

John G: Jake has a very natural style. I’ve seen his art in every stage, from doodles to the final immaculate pieces of art, and it always feels natural. It has an old craftsman feel to it. Too many artists rely on Photoshop and digital production. He doesn’t even know how to use Photoshop. I do, so I know how to cheat. (Chuckles)

 

Doug: (Chuckles) What do you want to accomplish with your art? Where is one place you’d love to see your art hanging?

John G: Well…

Doug: I hope your answer is on my wall.

John G: At the end of the day, it’s cool to make a living and to be able to contribute to the visual dynamic of my environment here in Cleveland. But, I think my theme or the driving force behind my art is to be as honest and as thoughtful as possible in each poster or piece or whatever I’m working on. That’s what keeps me interested, but, yeah, it would be cool to be on your wall. (Chuckles) It would be the ultimate honor. In addition to that, part of the reason we’re doing this comic book is, just like every other artist, I have these secret dreams or lifelong dreams I’d like to fulfill. There are two comic books I’d love to contribute to the canon of. I mentioned Hellboy earlier, and whatever work I could get contributing to that is a lifelong dream of mine. I don’t know how realistic that is. In addition, and probably even less-probable career goal, would be to work on Hellblazer, or some deviation of the Hellblazer canon. Both those books have had a profound influence on my life, not just my work.

 

Doug: So, what our telling me is that as long as the comic has “Hell” in the title, you want to work on it, right?

John G: Heh, yeah why not do both books. We can do a crossover.

 

Doug: So, I have to ask, what is your favorite sandwich at Melt?

John G: If you eat meat, The Big Popper with the bacon add-on is an awesome sandwich. I recently stopped eating meat and dairy, but The Big Popper is the jam.

 

Doug: This was a bad question because I’m stuck on 480 in traffic and now I’m getting hungry.

John G: Yeah, I might have to get some Melt take-out.

 

Doug: Where is the best place for people to view your work, and what do you have coming up?

John G: You can check out www.ninepanelgrid.blogspot.com. There is also a link to that site at our comic book page, thelakeeriemonster.com. As far as shows, the only one I have scheduled right now is at a tattoo/art gallery in Cleveland Heights called, “Kollective Gallery”. I’m not sure exactly what I am going to do for that one. I have a few ideas, but I’m not sure which I’m going to run with, yet, but it should be fun because they are very cool there. We will also have a release party for the second issue of The Lake Erie Monster at Blue Arrow Records in late July.

Shows And Stuff With Scott Radke

Cleveland’s own Scott Radke will be a part of a show with Keivin Titzer: “Pins and Needles” at Thinkspace. Friday February 8th.- March- 7th.
Scott will have 15 pieces and work should be online when or after the show opens.
www.sourharvest.com/thinkspace/2008/project/pinsneedles/index.php

There is a new giclee of Scott’s for sale on Luna 7: luna7.com/Radke/radke2.htm. The original painting is now a table at The Tremont Tap House, a bar here in Cleveland: www.myspace.com/5025848.

Finally, Scott will have work in the March/April issue of NY Arts Magazine: nyartsmagazine.com/.

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